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Cake day: June 12th, 2023

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  • How did we even end up in a situation like this?

    Capitalism ;)

    If donations through Patreon were the only way for artists to get money, I don’t think we would have very many high quality movies, series, albums, paintings or sculptures.

    This sounds obvious, because if people don’t need to worry about money they can invest more time and effort into their art.

    But a. this does not mean it’s fair. Not within the art scenes (because a lot of people are working hard but don’t have the luck for a breakthrough) and certainly not compared to other jobs.

    And b. while a movie like Lord of the Rings or a series like the Sopranos do need a lot of money, many expensive movies are actually rather boring because they have to play it safe in order not to risk a fuckton of money. On the other hand, many great movies had a rather small budget. Avengers: Endgame could have paid for 100x Whiplash or Trainspotting, and I’d rather have more of those. And I think movies/series are the outlier - music is much cheaper to make.

    But it’s hard to solve or even discuss all this in some lemmy comment ;-)

    I feel like it might not be sustainable

    The current system however is definitely not sustainable.


  • To some extent, piracy still does reduce the demand for the pirated material, so there’s an indirect harm associated with it, and that’s what makes it unethical

    I get your point, especially when it concerns smaller/independent artists. But how would a “fair compensation” look like? Do top selling artists deserve the millions (or even billions) of dollars? Does someone even deserve hundreds of thousands of dollars? Does any artist deserve more money for doing something they love and where they can express themselves than a nurse working night shifts? Is it fair to keep earning money for some work that was done years ago? Does that mean a nurse should get a percentage of the income of every person’s life they helped save?

    I think the only ethical thing to do is to decouple consumption and support. E.g. I might support some artist by buying their album (or going to their shows), because I think their voice is important, not because it’s an album I listen the most to. Or I might not pay artists at all and give money to political causes or other people that need support. Or I might support them in some other way etc.



  • homoludens@feddit.detoTechnology@lemmy.world13 Best Open Source ChatGPT Alternatives
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    6 months ago

    Holy Cyberjesus… I don’t experience with ChatGPT and the likes, and it’s obviously only one response, but the answer I got from https://api.together.xy to “Is it okay to do intense tempo runs in winter?” is absolutely useless and wrong and neglecting the actual problems that are usually mentioned (cold air while breathing intensely):

    Intense tempo runs are usually done at tempo, which means that your foot contacts the ground after a relatively long time. This is different from the typical duration of a foot contact in normal running. In normal running, the foot contacts the ground after a relatively short time. In a tempo run, the duration of your foot contact with the ground is increased, which causes you to run at a faster pace than usual.

    Intense tempo runs are typically done in the winter, when the ground is harder and more difficult to run on. Hard ground can be more damaging to your body, so it’s important to be careful when running on snow, ice, or concrete. It’s important to take safety precautions when doing intense tempo runs in the winter, such as wearing proper shoes and clothing, and avoiding running on icy or snowy surfaces.

    It’s important to note that intense tempo runs can be dangerous if not done properly. It’s important to have a good understanding of your body and what works best for you. It’s also important to consult with a doctor before starting any new running program, especially if you have any previous injuries or health concerns.





  • As I said, it depends on a lot of definitions of rather complex concepts.

    The point I was trying to make, was that you don’t have to end up with a state, especially not a soviet style state, after a revolution. And in my opinion a violent uprising or an having an organized militant group does not mean you have a state. If I understand it correctly, the Zapatistas don’t have a principle of using violence to force others into their system - which is something central to states.




  • There are different ideas how (and if) this could work. E.g. worker’s councils that form at a factory level (or similar - people who are working closely together), and then you might have higher levels of cooperation where e.g. all roadworking collectives in a region send delegates to coordinate who builds which road, what roads are even necessary etc. You’d probably want cooperation in another dimension as well: delegates of road working collectives coordinating with teamsters, urban planners, manufactureres of building materials, … But it would be networks of networks, not a top-down structure responsible for everything from kindergartens to space exploration and equipped with military and police power.

    You might want to check out The Disposessed by Ursula K. LeGuin or bolo’bolo by P.M. for some more ideas.