The Elden Ring expansion straight up has a release date: June 21st 2024.

The problem you’ve got is that the two lists that you’re looking at are ones with concrete release dates, and we’re currently in the period of the year where the release dates are the hardest to come by. Basically everyone’s either just started their fiscal Q1 and so have a completely clear slate, or like Microsoft have just started their Fiscal Q4 which means all they’ve got left on the slate are the delayed stragglers.

realMyst

Of course, that’s not the most recent remake of Myst. The current one is called, er, ‘Myst’.

Sigh. Looking forward to Riven. Again.

More like grabbing a bargain; When Embracer bought Saber it cost them more than $500 million. They sold it to Beacon (who are basically just a bunch of investors and one of the Saber founders) for just under $250 million, and are now stacking up extras from the Embracer spending spree while they still can.

On a similar note, who do we reckon is buying Gearbox? My money is on Take 2, because who would be stupid enough to buy Gearbox (Embracer aside) when the Borderlands publishing rights are permanently in 2K’s hands?

Well this is concerning. If they’re not getting any more funding from 505 to make Control 2 and Condor then, uh, who’s funding Control 2 and Condor?

Eat the rich in Minecraft

They’ve got the look spot on, but everyone’s miscast and none of the jokes land.

I mean, Idle Champions Of The Forgotten Realms is right there already.

Depends on whether your plan is to right the ship (sensible, boring, doesn’t interest investors) or to take that money and gamble it elsewhere in hope for big returns (chaotic, potentially disastrous, shareholders love it).

Oh god, it’s 2K publishing.

Which means that the game disappearing from storefronts is one of the better case scenarios. It’s entirely possible that they’ll patch out the licenced songs from the soundtrack from every digital copy of the game.

It’s Rocksteady, so it’ll be higher than 40s. Heck, it’s almost impossible to get a score lower than 40 on metacritic…

Mid 60s I’m guessing, perhaps as high as 69 if reviewers are feeling generous. The kind of score which would be absolutely fine if it were a cheap and cheerful B-game made by a scrappy team of underfunded devs, but which is an absolute embarrassment when applied to a multi million dollar tentpole. The kind of score that implies ‘meh’.

I would suspect that the real draw to working with Starfleet for non-federation personnel isn’t any concept of wages, but a comprehensive benefits package. Presumably Starfleet membership confers some level of personal federation membership, possibly for both you and your immediate family, which may mean that you get to move your loved ones to a mostly-utopic federation world.

How would they fucking know? The article is behind a paywall!

deleted by creator

Yep. The show was written by humans, humans are flawed, therefore the show is flawed. It’s constantly undone by an unholy mix of things that seemed okay at the time, things that were written to try and correct the things that previously seemed okay at the time (but which made things worse), the personal flaws of the creators seeping into their works, and a pile of crappy tropes that TV can’t help but lean on. It’s weird that you think this is something that isn’t a consideration of the show ‘anymore’; this all goes back all the way to the 60s. Original Trek is occasionally misogynistic crap, and once went so far as to describe Nazism as the most efficient form of government. TNG had episodes that were straight up racist, and characters that are accidentally written as creeps. This is a problem the show has always had, and sometimes you just have to deal with that to get to the good stuff.

The game released on the 19th September, Nominated games had to be released before the 29th September. Golden Joysticks voting was from the 3rd to the 20th October, and the premium DLC that made everyone angry was confirmed on the 24th and then released on the 27th. The timing could absolutely not have fallen more perfectly for MK1.

It’s not AI-based. Articles like this are generally repeatedly republished with extremely minimal editing every six months or so to keep them ‘fresh’ for the search engine optimisation.

Especially when it released almost immediately after the new Harebrained Schemes game flopped. Paradox was absolutely not in a position to let a tentpole slip, re: investors.

Elim Garak, because how can you not love a patently duplicitous and yet still somehow generally benevolent smooth-talker who chews all the scenery and exudes the queerest energy simple tailor?

Heck, Lower Decks already did it with Boimler, with the status quo being back to normal after two episodes of fun B-plots on the Titan.