Sternhammer

This is known as optical alignment. It’s very common in font design.

This is an insightful observation.
I was raised Catholic as well, stopped going to Mass when I left home in my early 20s, and just never missed it. As a child I think I believed but as an adult religious belief seems completely unnecessary.
My son, who was raised an atheist, is now deeply religious—he’s a Benedictine monk (no, we didn’t see that coming!)—but even when visiting him religion seems like a lot of nonsense to me. (He’s happy and we accept his choice despite not sharing his beliefs.)

Indeed. Apple always gets criticised for the 30% ‘Apple Tax’ but the console manufacturers get a free pass for the same thing. Bizarre.

Yes, additive colour theory is based on red, green and blue (RGB). These are the colours you see if you look at your TV screen very closely.

Subtractive colour theory uses cyan, magenta and yellow. In printing black, abbreviated ‘K’, is added for contrast—CMYK. These are the inks used to print the dots you see if you look closely at a magazine photo.

I think people are confused by this because they’re taught a bastardised version of subtractive colour theory, using red, blue and yellow, at a very early age.

It wanted to end its suffering. Blue jaunt.

Tower Bridge has its own website which has a little information about what’s inside (though it’s mostly trying to get you to do a tour).

Re: dickie for car boot (what Americans would call the ‘trunk’); some old two-seater cars had a third seat in the boot, known as a ‘dickie-seat’, at least in the UK, so perhaps it’s an old term that still survives in Indian English.

I wonder if doing the Moon Walk would get you burnt at the stake for witchcraft a few hundred years ago.

I’m not a coffee drinker but my partner is. She says she had two decent cups of coffee in Italy (two weeks in Rome, Bolzano, and Venice) but every day in Australia she has better. Australians are complete coffee snobs.

The bigger the budgets, the less appetite for risk. These huge superhero franchises are so different in scale from the original comics in this way.

Nah, your just use your increased intellect to get other people to push the button for themselves, increasing the pool of intelligent potential friends available to you.

Actually this reminds me of a story I read last year where two people are in a race to massively increase their intelligence. Neither can tolerate the potential threat the existence of another hyper-intelligent person holds so it’s a struggle to the death. If I remember correctly they gain there ability to effectively read people’s minds by reading body language, micro expressions, etc., develop new systems of logic and hyper-efficient language to think in and have an entirely mental showdown at the end.

Unfortunately I’m too stupid to remember the title.

Well said.

I’d also point out that dehumanising a subgroup is a powerful technique used to manipulate people. Tell people who to hate and you can get them to go along with anything while they’re focused on the scapegoats. Popular scapegoats include:

• immigrants (taking our jobs while, paradoxically, being a welfare burden)
• religious groups (Jews, Muslims, etc.)
• welfare recipients (dole bludgers, a burden on society)
• criminals (war on drugs, tough on crime)

Any time someone is demonising a group theres a good chance they’re just trying to manipulate you.

I played Frontier Defence obsessively for years and maxed out all of the titans (which really enhances the experience). A fully unlocked Scorch is such a beast!

It’s still possible to play on console but hard to get games near me (Australia). Luckily it’s quite playable on more active European or North American servers.

This feel close to my experience. I can still remember the feeling of leaving the cinema after seeing Iron Man. It felt quite inspirational, like you could build things and improve the world. I’m not sure the film really stands up to closer scrutiny but that’s how it felt at the time.

More films dilute the experience until eventually it feels very thin and repetitive. It also becomes clear that most of these stories revolve around people hitting each other repeatedly until the third act and that everyone’s powers are arbitrarily elastic.

I also think multiverse narratives can backfire. Oh no! The baddie won/hero died/world ended! But it’s OK, in another universe/dimension/reality the baddie was defeated/the hero is still alive/the world was saved. So, every event can be rewritten, there are no lasting consequences, nothing really matters. Why care? Multiverse settings are writers wanting to have their cake and eat it but that just seems to make for bland cake.

I think players are desensitised to unnatural dialogue. For example, to my Western ear lots of Asian games seem to have weird dialogue, no doubt due to poor translation. (Kojima is known to insist his dialogue be translated strictly and literally from the Japanese which explains, partially, why his games feel pretty strange. Plus Kojima is bonkers.)

I hope this isn’t Microsoft becoming more Apple-like. That said, if this leads to a restriction on the use of cheat-capable controller accessories such as the Chronos Zen then it could be a significant positive for FPS console gamers.

It reminds me of Apple locking faster charging and data transfer on USB-C to their own proprietary USB cables.

Are you sure of that? It was certainly rumoured before the release of the iPhone 15 Pro that Apple would require MFi cables for high speed data transfer but I don’t think that turned out to be true. As far as I can tell any high speed USB-C cable will allow full speed transfer from an IPhone 15 Pro. It might need to be a Thunderbolt 3 cable, especially for recording to external SSD, not sure, I’m no expert, but I don’t think it needs to be an MFi cable.

The main image is a still from an episode of Space 1999. No idea which episode but the space suits are distinctive.

Young me was thoroughly pissed off that the sequel promised at the end of the movie never emerged. “But they said he’d be back!”

Andor is Star Wars for grown-ups. It’s pretty good.

A good but unsurprising list. That said, the article begins poorly (my emphasis):

Utopia is the state of a civilization’s peace and prosperity that seems impossible to realize in real life, and it is the backdrop for many great works of science fiction like the “Star Trek” media franchise.

I’d say there are startlingly few utopian SF settings or societies. Early Star Trek certainly counts, though more recently it returns to a more cynical sort of stealth capitalist/corporatist framework (Picard). Apart from Banks’ The Culture books I can’t recall any recent genuinely SF utopian visions—can you think of any?