From the article:
When we went to our seats, the wait staff let us know that despite the fact that the previews were playing, we wouldn’t know until the movie actually started whether we could see the film or not. If it didn’t work, the screen would just turn black. Luckily, the film went through without a hitch.
Because I saw accounts elsewhere that Sony is only providing parts and support for these projectors now, and Alamo is changing vendors. They half assed it, not Sony.
These are all accounts I saw on The Verge and I cannot independently verify them.
So Sony sold them projectors, locked down their media, and then forces theatres to buy new projectors every x number of years to keep up with DRM? Sounds like a lot of unnecessary waste…
Good news! Sony has exited the business, and its basically Alamo’s fault they didn’t move faster on their vendor change.
These are all accounts I saw on The Verge and I cannot independently verify them.
I know these are issues with any tech but the amount of expertise and culture around 70mm film at least guarantees its continued adoption for some.
Ah, so “Company provided service, but then ditched it and now theatres are left to buy more expensive (and likely locked down) hardware in hopes the next company doesn’t pull the rug on them again”
Companies exiting a market and leaving clients/customers without their service isn’t a new thing. Was happening well before DRM was even thought of, let alone implemented. And still happens now. Polaroid leaving the instant photo market comes to mind.
So what point are you trying to make with that?
That sony is fully at fault here?
Sony is actual abandoning the industry so all the theaters with Sony projectors have to get new ones from elsewhere as Sony is only going to provide parts and support. I’ve been forced to deal with the “support” left for dead products many times, it’s always the absolute bare minimum designed to make you move away from the product finally so they can sunset the skeleton support crew